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J.S. Bach

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
Oboe I.		19	0	4	9	72%
Viola.		18	0	4	7	49%
Violino I.		21	0	3	9	49%
Violino II.		19	0	4	8	49%
Violoncello.		19	0	3	5	49%
Violone.		19	0	3	5	49%
Corno I.		10	0	1	8	48%
Corno II.		8	0	0	8	46%
Fagotto.		21	0	5	5	45%
Oboe II.		12	0	2	7	45%
Oboe III.		9	0	1	7	21%
Violino piccolo.		13	0	2	9	21%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus III.

Samuel Ricke

2:03	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	23	7	6	99%
		17	0	4	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	23	7	6	99%
		17	0	4	4	100%
Continuo.		17	0	4	4	100%
Violino I.II.		20	5	6	4	100%
Violone.		17	0	4	4	100%
Tenore.		13	0	4	6	62%

J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)

Samuel Ricke

1:08	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
Continuo.		6	0	2	3	88%
Violone.		6	0	2	3	88%
Jesus.		14	0	4	3	75%
Viola.		6	0	1	3	75%
Violino I.		7	0	2	3	75%
Violino II.		7	0	1	4	75%
Evangelist.		8	0	0	2	38%

J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus

Samuel Ricke

4:08	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
Continuo.		10	0	2	2	100%
Violone.		10	0	2	2	100%
Flauto traverso I.		20	0	7	1	92%
Flauto traverso II.		20	0	7	1	92%
Viola.		19	0	7	2	92%
Violino I.		20	0	7	2	92%
Violino II.		16	0	5	2	92%
Soprano II.		17	0	6	5	81%
Alto.		18	0	6	6	77%
Basso.		15	0	4	4	70%
Tenore.		14	0	5	5	68%

7. Ach Gott, vom Himmel sieh' darein, J.S. Bach, M. Luther, BWV 2#6

SDG

0:45	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		14	0	4	4	100%
		20	0	6	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		14	0	4	4	100%
		20	0	6	5	100%
Soprano/Alto		14	0	4	4	100%
Tenor/Bass		20	0	6	5	100%
Contrabass		14	0	4	4	50%

14. Allein Gott in der Höh' sei Ehr', BWV 112.5.

SDG

0:53	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
		18	0	5	4	100%
		18	0	5	4	100%
Violin		8	0	2	4	50%
		6	0	1	5	100%
Horn in F		8	0	0	5	100%
Oboe		6	0	1	5	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		18	0	5	4	100%
Viola		9	0	1	4	100%
Oboe col Alto		9	0	2	4	70%
Contrabass		12	0	4	2	50%
Violoncello		12	0	4	2	50%

40. Christ lag in Todesbanden. BWV 158.4

SDG

1:01	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	0	5	4	100%
Tenor/Bass		20	0	6	7	100%
Contrabass		13	0	4	7	51%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	0	5	4	100%
Tenor/Bass		20	0	6	7	100%
Contrabass		13	0	4	7	51%

87. Es ist das Heil uns kommen her (Ob sich's anliess, als wollt' er nicht). BWV 9.7

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		25	0	8	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		25	0	8	3	100%
Contrabass		16	0	3	3	51%
Violoncello		16	0	3	3	51%

217. Keinen hat Gott verlassen. BWV 369

SDG

0:52	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	5	100%
Tenor/Bass		18	0	3	4	100%
Contrabass		13	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	5	100%
Tenor/Bass		18	0	3	4	100%
Contrabass		13	0	3	4	50%

J.S. Bach: Mass in B Minor, BWV 232: I. Osanna in excelsis

Samuel Ricke

7:36	Est. Play Time
149	Measures
	3,883Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	0	7	5	98%
		34	0	12	5	99%
View all 24 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	0	7	5	98%
		34	0	12	5	99%
Continuo.		27	0	10	5	97%
Fagotti.		27	0	10	5	97%
Violone.		27	0	10	5	97%
Flauto traverso I.		22	0	7	5	93%
Flauto traverso II.		22	0	6	5	93%
Violino I.		21	0	3	6	87%
Oboe I.		19	0	4	6	86%
Oboe II.		18	0	5	6	86%
Violino II.		20	0	5	6	86%
Viola.		16	0	3	5	85%
Soprano I.		15	0	3	4	65%
Alto I.		15	0	4	4	65%
Soprano II.		18	0	5	4	63%
Alto II.		15	0	3	4	63%
Tenore I.		14	0	2	5	63%
Tenore II.		13	0	2	4	63%
Basso I.		19	0	6	4	62%
Basso II.		20	0	7	4	58%
Tromba I.		11	0	0	4	50%
Tromba II.		10	0	0	4	48%
Timpani.		2	0	0	4	38%
Tromba III.		7	0	0	5	38%

242. Meinen Jesum lass' ich nicht. BWV 380.

SDG

0:44	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		17	0	4	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		17	0	4	3	50%

213. In dich hab' ich gehoffet, Herr. BWV 244 #32

SDG

0:32	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		18	0	4	3	100%
Contrabass		13	0	4	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		18	0	4	3	100%
Contrabass		13	0	4	2	50%

97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.

SDG

1:10	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		10	0	3	4	100%
Soprano/Alto		15	0	6	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		10	0	3	4	100%
Soprano/Alto		15	0	6	5	100%
Tenor		11	0	5	4	100%
Tenor/Bass		21	0	10	4	100%
B♭ Trumpet		12	11	4	8	71%
Timpani		2	0	0	5	71%
Alto		11	0	4	5	50%
Bass		13	0	6	4	50%
Contrabass		15	0	6	4	50%
Violoncello		15	0	6	4	50%

150. Herr, wie du willst, so schick's mit mir (Aus tiefer Noth schrei' ich zu dir). BWV 156/5.

SDG

0:54	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	5	100%
Tenor/Bass		17	0	4	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	5	100%
Tenor/Bass		17	0	4	4	100%
Contrabass		14	0	4	4	50%
Violoncello		14	0	4	4	50%

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